The author keeps the reader informed of the changes affecting the characters throughout the narrative through style. When he says he has just come looking for his friends, they tell him that Nicholaus Vedder has been dead for eighteen years and Van Bummel is now in Congress. A familiar woman approaches, and he finds out enough to decide that she is his daughter. Van Winkle returns to the village but recognizes nobody, which is strange for a small village, and he notices that everyone is strangely dressed. Even to this day they never hear a thunderstorm of a summer afternoon about the Kaatskill, but they say Hendrick Hudson and his crew are at their game of nine-pins; and it is a common wish of all hen-pecked husbands in the neighborhood, when life hangs heavy on their hands, that they might have a quieting draught out of Rip Van Winkle's flagon. He underwent many emotional changes throughout the story.
For a long while he used to console himself, when driven from home, by frequenting a kind of perpetual club of the sages, philosophers, and other idle personages of the village; which held its sessions on a bench before a small inn, designated by a rubicund portrait of His Majesty George the Third. And that Henrick himself had once heard the sound of the balls rolling in the game like peals of thunder in the mountains. The author calls them a ''region full of fable,'' which means there are many tales about strange happenings in the Catskills. As he walks into the village, Van Winkle becomes surrounded by a group of strange children who point at his gray beard and laugh. Van Winkle feels that he recognizes the woman and asks for her name.
Their tempers, doubtless, are rendered pliant and malleable in the fiery furnace of domestic tribulation; and a curtain lecture is worth all the sermons in the world for teaching the virtues of patience and long-suffering. He spends his days sitting outside the local inn and telling his story to whoever will listen, quite happily. In the end of the story, he is happy to live with his grown daughter and stay in retirement. He knows he will not be able to get home before dark. The Count is recalled home from the army for the wedding ceremony, and the castle is in a tumult of preparation to give him a suitable welcome. Irving makes us buy into the mystical tale through his use of imagery, which not only sets the scene but creates a feeling of enchantment for the reader.
The people seem to be dressed in a fashion that he does not recognize as well and they stare at him as if he is the strange one. He has no ambition, he does not work hard for himself, and he does not rise above where he began. The magical drink that Rip takes is irresistible, just like the promise of escape and freedom that drew Rip up the mountain in the first place. Van Winkle continues to watch them and begins to get more comfortable and less awed. The story takes place back in time around the 19th century in Europe, the time as when Irving has published the fiction. When they see Rip they stop playing, andsilently direct Rip to pour the drink from the keg into flagons to serve the men.
Van Winkle is notoriously henpecked. All of them have beards of various shapes and colors. Despite all of this, Van Winkle himself is happy. Diedrich Knickerbocker, an old New York gentleman with an interest in the histories and stories told by the descendants of Dutch settlers in New York in the early 19th century, narrates the story of a simple, good-natured man named Rip Van Winkle, who lives in a small village in the Catskills. Since it's Hudson and his men who bewitch Rip with their liquor, causing him to sleep for 20 years, the story needed to be set in a place where it would make sense for Hudson and his men to appear, namely near the Hudson River, which runs through New York, not from the Catskill Mountains.
Indeed, I have heard many stranger stories than this, in the villages along the Hudson; all of which were too well authenticated to admit of a doubt. Knickerbocker was keenly interested in a province in New York at the base of the Catskill mountains, and which was founded by Dutch settlers long ago. As soon as he leaves he starts to forget the individual things he has seen. Even here, Van Winkle cannot escape from his wife, who berates everyone for encouraging his idleness. New houses line the roads and unfamiliar faces peer out at him from windows. The rocks presented a high impenetrable wall over which the torrent came tumbling in a sheet of feathery foam, and fell into a broad deep basin, black from the shadows of the surrounding forest. Panting and fatigued, he threw himself, late in the afternoon, on a green knoll, covered with mountain herbage, that crowned the brow of a precipice.
The American Revolution has taken place. Because of his advanced age, no one has any expectation that will perform any duties or chores. Van Winkle decides to return to the scene of the party so that he may demand his dog and gun. This narrative is eloquently written by Washington Irving, a prolific nineteenth century American writer. These characteristics include strong imagination, strong feelings, inspiration from folklore and myths, and the divine beauty… 1420 Words 6 Pages Parallels in Washington Irving's Rip Van Winkle and America's War of Independence The story of Rip Van Winkle is well known throughout American culture. He was a descendant of the Van Winkles who figured so gallantly in the chivalrous days of Peter Stuyvesant, and accompanied him to the siege of Fort Christina.
He even begins drinking the beer that he helped to bring and soon becomes quite drunk and falls asleep. A person was so tired that he even has a heavy breathe and when he sees the graceful natural scene presenting in his sight at that time, he must be comfortable as a feeling and wants to have a nice rest at once. Not a long while from Rip Van Winkle appreciating the natural setting, the plot of story goes to a wide transition when Rip Van Winkle heard a voice from a distance hallooing his name but there was nothing but just the evening closing in. He is friendly, and people in town tend to like him. The rage Rip incites when he declares himself a subject of the king definitively confirms his status as a strangeoutsider. This is probably the life that Van Winkle really wanted all along.
He awakens twenty years later and returns to his village to discover that everything has changed. He looks around him, but cannot see anyone in the vicinity, when he hears someone calling his name twice again. No one knows what became of Hudson, so he makes a perfect ghost for Irving's story. There was, as usual, a crowd of folk about the door, but none that Rip recollected. Thanks to the ghosts of Henry Hudson and his men, Rip is able to break free from his nagging wife and live the life he wants.