She is very sweet and adoring. Kafka didn't dwell on the point then, but now makes it clear that Gregor's family considers him unclean and that any plates he uses aren't likely to ever serve at the dinner table again. The serious injury done to Gregor, which disabled him for more than a month—the apple went on sticking in his body as a visible reminder, since no one ventured to remove it—seemed to have made even his father recollect that Gregor was a member of the family, despite his present unfortunate and repulsive shape, and ought not to be treated as an enemy, that, on the contrary, family duty required the suppression of disgust and the exercise of patience, nothing but patience. Gregor knows that if he calls in sick for the first time in five years, his chief would come in person to call him lazy. While it is the subject of this character analysis, Gregor who has been mysteriously and inexplicably reduced to one of the lowest forms of animal life in this story by Kafka representing the absurd, it is whose psychological development is least human and humane. This is not a coincidence.
The character shows this by freaking out about missing his train to work rather than being transformed into a grotesque insect Kafka 113. Instead they treat him exactly how they see him. Rather, it is explicitly seen that his family members do not have mercy and justice when they realize the predicament that had befallen him. Neither of these seem like viable options for him at this point, which further emphasizes the futility of his attempt to open the door. He resents the stresses of traveling for work, and dislikes his coworkers, but he is devoted to his work and hopes to even earn enough to pay for his sister Grete's violin lessons at the Conservatorium, as well as the living expenses of his feeble, sedentary mother and father. She then proceeds to save Gregor from his father's apple-throwing wrath.
This can be seen from the family perceptive. Cook Begs for permission to leave the family as soon as she finds out about Gregor's metamorphosis. He is erroneous to think that he can connect with Grete by expressing his appreciation for her music, and the stage is set for his complete dismissal and condemnation by his family. There are two important things to notice here: the first, that Grete has used Gregor's name, and that she still, in some ways, thinks of him as her brother, rather than as a thing; the second, that she trails off here without finishing her sentence, leaving readers to guess what she was going to say. The pressure of time and intense monetary ambition of the economy-driven world drives Gregor to feel alienated from himself, as well as his family, through his commitment to providing for them.
She comes to know about the transformation of Gregor after a few days. The story shows Gregor as a normal and average young person, who tries to fulfill every wish of his gamily uncompromisingly, even if that meant doing something he hates. When Gregor wakes up one morning and learns that he has metamorphosed and into a cockroach he is shocked and incredulous, as any human being would be. Samsa Gregor's mother is also forced to go to work to make money for the family. Perhaps that places this moment in spring; but perhaps it's still winter. Many aspects of The Metamorphosis are directly related to Franz Kafka? In that scene, the father was characterized as an animalistic, brutish man, the kind of monster who maims his own son with an apple.
As a young woman, and as Gregor's only ally, she naturally and selflessly began to take care of him, not knowing how emotionally and psychologically draining this would become. This learned distrust subtly characterizes Gregor's family as a group of greedy or demanding people who don't respect Gregor's privacy or view him as a real individual. This image parallels Gregor's own transformation, into which his body or human self has disappeared, like the lady's forearm. When his sister and mother begin to remove the furniture from his room to give him more space to crawl, he realizes that the contents of his room are a tenuous connection to his humanity: ''Nothing should be taken out of his room; everything must stay as it was; he could not dispense with the beneficial effects of the furniture on his state of mind; and even if the furniture did hamper him in his senseless crawling around and around, that was no drawback but a great advantage. In essence, the metamorphosis of Gregory from a human being to an insect can be translated to mean his own judgment on the failure of succeeding in life.
From the beginning, we see that a young, hard working, man, Gregor, has turned into a bug, and as the story continues, one can see that he was much more than an insect. Invent a Character By Kimberly Dana, Award-Winning Author ©Kimberly Dana Invent a Character - Introduction About the Packet: During author visitations, kids will often ask me how I invent my characters. They come to a point at which they can no longer connect the new Gregor with the person he once was, and though only his physical characteristics have changed, they view him with disgust and without compassion. In his mother's soft voice, readers can clearly hear her rage and frustration. Neither of them is particularly witty, rich, or hunky—in fact, they're kind of wimpy. However, she seems to love Gregor most out of everyone in the house.
His parents and sister, the people who should accept him unconditionally and protect him according to the traditional code of family relationships, are those who abuse him the most. She is the only character who attributes intelligence to Gregor. They both have a younger sister as well. A successful rebel not only should be defiant against their authority, but should also have a set of ideals that they hold to. He has transformed into a large bug and spends the rest of his life in that state. Based on what readers have learned about Gregor thus far, they can safely assume that this would never happen, regardless of his transformation. When Gregor first discovers his new body, he spends some time contemplating how best to move in his new body: ''He would have needed arms and hands to hoist himself up; instead he had only the numerous little legs which never stopped waving in all directions and which he could not control in the least.
Indeed, Gregor seems to accept most of the hardships in his life without complaint. Some of the characters have been discussed below. But what if all the quiet, the comfort, the contentment were now to end in horror? Samsa and sister Grete Samsa. This tells us that Gregor's mother was still in bed or getting dressed when she first knocked on Gregor's door. After begging to see Gregor, she is finally allowed in his room, but faints as soon as he appears. Kafka wrote in a fashion that would allow a reader to interpret the story in a way that may be different each time it is read.
His backbone is a symbol of man's ability to determine one's own destiny. But all his wishes and dreams get shattered when he wakes up as a vermin one fine morning. In fact, these women are being segregated, and their comfort depends on that of the men in their household. Samsa finally asserts himself, revealing the lodgers' cowardice in the face of authority. It's at once an incredibly human thing to do covet that which we desire as our own and a display of inhuman intensity, in which Gregor thinks about attacking his own sister.
His transformation may be a result of his inability to continue to do this. The Lodgers Caricatures of gentlemen, the lodgers dominate the overly servile Samsa family. He knows that after the marriage of his daughter, he could live happily with his wife. Character Analysis Examples in The Metamorphosis: Kafka doesn't give the reader exact measurements, but from this line we can assume that Gregor's body is at least several feet wide four, most likely and that he's just as tall, if not taller, when standing at his full height. This has quickly become unbearable for Grete and will cause problems for Gregor later.