Abbie opens the window near him and calls to him in a quiet and sultry voice. Old Ephraim being so angry threatened him to kill. Eben Cabot Aged twenty-five, Ephraim Cabot's son from his second marriage. This, to me, put Eben in a completely separate state of mind from his brothers. Horrified, Eben denounces her and runs off to get the sheriff.
Readers have to exert a lot to understand the conversation between characters. Eben declares that everything between them was ruined by the baby's arrival, and that he is going to leave for California in the morning. If we look at O'Neill's style of entitling his plays, we come to know about his affiliation with the theatrical ideology. After Eben storms off, Ephraim questions Anna about the argument, and she states that Eben was propositioning her. There is a terrifying similarity between the elms and human beings. When Abbie tries to seduce Eben, it is notable that she fails until she evokes the spirit of Maw and claims it for herself. In doing so, they also explore secondary themes relating to the corruptible power of both love and revenge, and the complicated relationship between past and present.
Ephraim immediately wants to kill Eben, but Anna, who is attracted to Eben, as he is to her, stops him, telling him that they need Eben to work the farm. He brags of his toughness, detesting their softness, and crying for his loneliness. The youngest son, Eben, buys out his brothers, who head off to California. He asks for food and says the baby is sleeping, to which she dully says the baby is dead. We can clearly notice the presence of expressionistic elements in Desire Under the Elms.
Cabot plans to go to California too and give up the farm; he set the cows free and wants to burn the whole thing down. As time passes, Anna flaunts her earthy sensuality at Eben, who responds by avoiding her. This expressionistic conviction has perfectly found its manifestation in Desire Under the Elms. In the shadow of two elms sits a stately but aging farmhouse, overseeing rocky and walled farmlands, owned and operated by Ephraim Cabot since he purchased the land as a young man over 40 years ago. Buoyed by Eben's love, Anna faces the sheriff with grace, and Eben declares that he must be arrested also. The men are infuriated, as they believe that she will now inherit the farm instead of them.
There, he tells her that he realizes that he still loves her, and that he is just as responsible for their child's death as she is. Eben and Cabot physically fight, and Abbie runs outside to break it up. Their father is gone, claiming himself to be a prophet following the voice of God. This three-act drama, dark and thoughtful, captures the drive for self-ownership and agency that comes along with property and legacy, and illustrates how greed and a wholly self-serving way of life is a poor way to produce fruit from hard labor. Desire Under the Elms Desire Under the Elms is a play by Eugene O'Neill, published in 1924, and is now considered an American classic. GradeSaver, 27 December 2015 Web. One Sunday, Eben is preparing to visit Min, and Anna laughs at him.
First she marries old Cabot in order to get her own home, then she murders her child so as not to lose Eben's love. Old Ephraim is left alone in the farm. The Sheriff comes to arrest Abbie and Eben announces he is guilty too. The Sheriff remarks on how beautiful a farm it is, and how he wished he owned it. O'Neill's Style in Desire Under the Elms Eugene O'Neill's style is sharply different from the style of most of his contemporary playwrights. Anna tells him that she has killed the baby, and also the truth about his parentage.
Quieting down, Ephraim admits that Eben is the only one remaining to whom he can leave the farm, and Anna demands that he leave it to her instead. At the beginning of the play we are introduced to Eben and his two older brothers, Peter and Simeon. Even after committing such a heinous crime, they reacted as though there is no atom of conscience in their mind, as though their conscience is completely deadened. Eben tells Abbie that he would love her, were not for her son. Unlike the protagonist in classical tragedy, O'Neill's protagonist in Desire Under the Elms speaks in peasant dialect. In Desire Under the Elms, the father Ephraim Cabot, is like Amanda when it comes to his children.
Laughing, Eben claims to be the boss of the place, and walks away. Eben stays upstairs, conflicted about his son. Analysis - a three-act play written in a colloquial language - naturalistic, morbid, concerned with pathological aspects of human nature - shows a deep feeling for the beauty of the landscape - theme: a chilling struggle for the fulfilment of the individual's selfish desires - shows various forms of passionate love: selfish love to land old Cabot , generous love to a human being Eben. This farm, with the blood, sweat, and toil of the family worked into its very soil and harvest, is all that Ephraim has to show for a life lived hard. They fall in love, and Abbie looks to find a way to get free of her husband. He is weak, even womanish, he attends woman duties at the farm.
Abbie decides she will have a son, which makes Cabot very happy. As the time passes, Eben realizes the life has become easier after Abbie comes to the farm. His intentions in his eyes are good he is teaching them how to work hard, so they can have the American dream, money, their own home, wife, and family. It is in context a tribute to the myth of Phaedra, Hippolytus and Theseus. He is attached to the soil in an extraordinary way. He draws a parallel to the Bible and to God's urging his people to build a church out of stones on a rock so that He would live within the stone walls. This use of common-speech pattern adds a realistic dimension to the play.